Home BIG Savings Just Arrived My Account Shopping Basket
Your shopping basket is currently empty.

Existing customers, please enter your details:

email:
password:

If you don't have an account, you can create it here


If you have forgotten your password, click here

Search
Products
Temptations
Manufacturers

GAT SERIES 2 Valve Line Preamplifier

Quantity:
In stock
This product is currently unavailable.

 

The GAT Preamplifier embodies conrad-johnson’s latest advances in line-stage preamplifier technology.  They believe that it will quickly be recognized as the new industry-wide reference standard for line-stage preamplifier performance, a role filled for more than a decade by its legendary predecessor, the ART preamplifier.  Like the ART, the GAT Preamplifier will be available in a numbered, limited edition of 250 units which will be sold through selected conrad-johnson dealers.

 

The GAT Preamplifier is a vacuum-tube, line-stage preamplifier that looks as good as it sounds.  It is also notable for convenience and ease of use.  The unit features input selection and level adjustment by microprocessor-controlled relays.  Level and balance can be adjusted in 100 steps of approximately .7 dB per step.  All functions can be controlled by the hand-held wireless remote control.

 

The circuitry of the GAT Preamplifier is elegant in its simplicity.  The audio circuit consists of a single amplifier stage incorporating one composite triode comprised of paralleled sections of a high-transconductance miniature dual triode vacuum tube.  This amplifier stage is coupled to the preamplifier outputs through a high-current MOSFET buffer, which achieves a very low output impedance, making the GAT extremely flexible in the choice of interconnect cables and amplifiers. DC voltage is supplied to the circuit by our latest discrete voltage regulator that isolates the audio circuit from the power line by maintaining negligible impedance across the audio frequency band. Infrasonic noise is minimized by operating the tube filaments (heaters) on a dc voltage supplied by another discrete regulated power supply.

 

Considerable care and attention have been paid to the physical aspects of the design as well. Microprocessor controlled relays, used for selecting sources and level setting, are located right at the input connectors, keeping signal paths short to minimize crosstalk between channels and inputs.  The vacuum-tubes are isolated by a suspension system designed to minimize microphonics.  The dramatic casework features attractive clear Lucite tube guards outside the chassis, allowing for easy access for tube replacement.

 

At conrad-johnson they have long appreciated that the full potential of any circuit can only be realized by using the finest available parts.  Each part for the GAT has been selected on the basis of both sonic performance and durability.  The audio circuit (including the level control) is executed entirely with precision metal foil resistors and proprietary CJD Teflon capacitors.  Tubes have been carefully hand selected for minimum noise and microphonics.  The dc regulated power supplies use the same quality resistors as the audio circuits.  Capacitors for the power supplies are exclusively polypropylene and Teflon – there are no electrolytic capacitors in the audio circuits or their related power supplies.  All signal switching is done by special relays designed for signal applications. These relays are sealed and have gold plated silver contacts.  Input and output connectors are machined from oxygen free copper, and are gold plated.  The GAT is built without compromise to achieve a new standard in musical performance, and it is built to last.

 

GAT Triode Preamplifier

 

Gain: 25 db

Maximum output: 20 vrms

Output impedance: under 100 ohms

Distortion: less than .15%

THD
Frequency response: at unity gain: 2 Hz to more than 10OKhz

Hum and noise: 100 db below 1.0 v

Tube complement: 2 x 6922

Dimensions: 15.375 (D) x 19 (W) x 4.81 (H) inches

Total weight: 35 lbs.

 

HiFi+


September 2009

 

The Absolute Sound


2010 Editor’s Choice Awards

 

The Absolute Sound


December 2011

 

TONEAudio


July 2012

 

TONEAudio August 2012 (Top Tone 2012)
Related products